Action beat
on Jun30 2010Yup, finished a chapter of Black Glass that covered what happens over the course of a few days, which is brought into sharp focus by an argument between Sideon and Anna. Easy enough to accomplish, since the argument is mostly dialogue and thought processing. Burned through that pretty quick.
The next chapter, however, they’re attacked. The entire chapter focuses on the fight. I’m always very careful about exciting scenes, and try to take my time.
Excitement is necessary, and placement of that excitement is one of those things that you’ve actually got to force yourself to consider at some point. You can have all of your action in one spot, sure . . . but there’s no guarantee that the reader is going to be willing to stick around long enough to get to it. You can stick it all at the front, but then they’ll be wondering what the heck is going on in the later chapters. You know, “where are the explosions? There were tons of them in the first paragraph!”
The most successful strategy would appear to be small beats of action appearing throughout the story, leading to the big climactic moment.
Action beats aren’t necessarily violence and fisticuffs though. It can be someone spectacularly losing their temper at just the right time, or someone sneaking around hoping not to get caught, just about anything you like. It just has to involve your protagonist needing to do something (or being forced to do something) that is uncertain and difficult as part of their overall plan to reach some sort of resolution. They don’t even need to be successful – getting caught is action, right? The hero realizing that all their plans are now fubar, and he/she/it has to cope with a new set of problems . . . that’s action!
If you think about it, that’s all a story really is – A character gets it in their head that in order to fix this dilemma, they must do this thing, and they’re not sure they can. Boom. Lord of the Rings, Grapes of Wrath, Davinci Code . . . you name it, they all would appear to have that in common. They can’t just have their goal handed to them.
As I’ve said before, the concepts of value and cost are hopelessly intertwined. The difficulty of the path travelled is often proportional to the sense of elation experienced at the end of it. I don’t think as many people would think 24′s Jack Bauer was so terribly cool if the world’s problems could be solved with the push of a button.
Chloe: “Good god, Jack! The terrorists are holding the President hostage!”
Jack: “Wait right here, I know what to do.”
(walks over to console, presses big red button)
Jack: “There. I just blew up all the terrorists. The President is safe.”
Chloe:”What?! That’s ridiculous! How can one button save- . . . oh, hey, it looks like we got a report that the President is okay. All the terrorists are gone. Wow. What does that button do, anyway?”
Jack:”I could tell you, but then I’d have to press *this* button, and kill you. Come on, let’s go have a beer.”
Update: Black Glass – Chapter 26 35% done
Again, let’s keep this on the low-low. If I find out that I’m able to do two chapters a week without much of a problem, I’ll just force myself to do that *every* week.

